Today a lucky wall near High Street in Swansea, Wales will be pasted up with Palace Posters as part of the Gŵyl Troublemakers’ Festival which is happening from July 13 – July 16.
Street Art Walking received over 35 posters to be part of the Paste Up project and today the amazing people at Volcano Theatre will begin pasting them to feature over the next few days – be sure to walk down High Street and find them!
If you are lucky enough to live near Swansea I hope you can share some photos of what you see at the Troublemakers festival, the full festival program, looks brilliant and it is an honour to be aligned with such interesting, inspiring artworks.
Based in Australia, SAW has collected posters from artists in UK and Australia for this temporary “pop-up” exhibition and shared some how-to tips for the festival team who will be getting pasted. Here are some mock up photos of what the artwork might look like.
We believe this theatre deserves to operate again and this project is your chance to wonder on what it might have been like when it was first launched in 1888, or when operated as a theatre until the 1970’s or what will it look like when it’s renewed from disrepair?
The Pavilion Theatre of Varieties opened in 1888. It was designed by the architectural firm Bucknall & Jennings on a triangular site. The stage end being at the apex, which originally had a circular tower feature. There were two square towers at the other two corners. The exterior is built in brick, with plenty of stone features.
The auditorium is up stairs at first floor level, leaving the ground floor to house shop units and offices. Inside the auditorium there are two balconies, which have open iron balaustrades, the upper balcony still retains its original bench seating. The main orchestra floor is now leveled for use as a dancefloor.
The building was re-named Empire Theatre in 1892, then became the Palace Theatre of Varieties in 1901. At this time stars such as Charlie Chaplin, Lilly Langtry, Marie Lloyd and Dan Leno appeared on stage. By 1908, films were being screened as part of the variety bill and by 1912 it was known as the Swansea Popular Picture Hall and Peoples Palace. By 1923 it had reverted back to live theatre again and took the name Palace Theatre of Varieties for a second time.
The history of 156 High Street is rich with interesting and significant cultural stories. Did you know it was the first place in Wales to show a silent film? The Palace hosted the first ever cinema show in Swansea in 1896.
I found this older image on this wikipedia and Cinema Treasures website.
The above photo was taken three years ago and found here. Today, it is in a very serious state of neglect.
This your chance to draw on the rich cultural history of The Palace and the amazing potential for its future to create your very own poster.
Email your poster to streetartwalking[at]gmail[dot]com before July 2017 to be part of this temporary artwork. Posters may be pasted up and over, depending on the number of submissions received.
Let your imagination run wild to promote your own theatre production. Inspire people to ponder on what might have happened back in the day or what shows might come to the theatre once it reopens.
Call Out Opens 05 April 2017
Posters Due 6 July 2017
Festival 13-16 July 2017
Find out more about the Palace by visiting these resources:
The Palace Theatre Paste Up Project is a cornerstone project of From the Station to the Sea, a collaboration between Volcano Theatre and Coastal Housing Group funded through the Arts Council of Wales’s Ideas : People : Places initiative (more here).
Find out more as we go
Follow our Facebook page and Instagram to learn more about The Palace and this project over the next three months before 6 July.
Failure:Lab the USA founded event focused on crushing the stigma associated with failure is coming to Sydney on 28 May 2016. With the theme of ‘The Highs & Lows of the Creative Journey’ this night is filled with successful creative professionals whom are going to erase the negativity associated with the F word – Failure, that is.
Seven creative professionals each share a story of failure, joining Failure:Lab’s global mission to eliminate the fear, stigma, and isolation around failure which, in turn, helps remove roadblocks to communication, innovation, and community.
Failure:Lab is a raw and intimate event showcasing personal stories of failure. With a refreshing environment of openness, it helps pave the way for change by crushing the isolation and stigma around failure. Failure then takes its rightful place as the crucial first step to the next big thing.
Our storytellers share memories of failure in a safe space for mistakes – no lessons learned or talk of who’s to blame! The audience can reflect on Twitter using #failurelab during the moment of reflection between stories.
Performances follow each story to recharge the audience. Electro poetry, spoken word, ‘gyp-hop’, acoustic melodies and oscillating guitar strings will lift the air between stories.
Don’t let the name fool you – while the stories may be about failure, the event is really about courage, determination, and the strength to get back up.
Crush the stigma around failure. Embrace it, learn from it, build on it.
Storytellers (who will have 9 minutes to share their failure story before dropping the mic and exiting the stage!)
Marcus Westbury Marcus Westbury is the CEO of Contemporary Arts Precincts Ltd that is leading the development of the Collingwood Arts Precinct in Melbourne and the founder of the multi award winning Renew Newcastle and Renew Australia. Marcus has been a writer, media maker and festival director and is the author of Creating Cities (Niche Press, 2015) and has been the writer and presenter of the ABC TV series Bespoke and Not Quite Art.
Somaya Langley Somaya Langley has a built a career at the nexus between the arts and technology. She has worked for multiple government cultural institutions, broadcasters, festivals and not-for-profit arts organisations as a curator, director, producer and technical specialist. As a creative practitioner, her work primarily focuses on embodied and immersive audiovisual experiences. Her life is equal parts failure and success. Somaya is the Digital Curation Specialist at the State Library of New South Wales.
Jeremy Staples Jeremy Staples’ work is all about creating spaces for community engagement and providing a platform for people to be heard and share their skills. He enjoys questioning, documenting, reading, writing and travel. He’s passionate about inspiring people to think and helping them along their own journeys. Over the past five years, he has been researching the future of radical print media abroad and worked alongside with and met with everyone from Maximum Rock and Roll to Tokyo’s largest English print magazine.
Dr Annetta Mallon PhD Annetta was awarded her PhD in Social Science in 2016, and she specialises in feminism, identity, personal stories, sociology and professional practice. She is currently employed as a lecturer and tutor, with Western Sydney University in the areas of Social Science, Sociology, and qualitative research methods. In addition to her academic pursuits and teaching, Annetta is also a freelance writer & editor, and is currently involved in developing works in both the academic and fiction arenas. Her previous career was as a practising counsellor, advisor, and psychotherapist for over twenty years working in Australia, Italy, and the USA in the fields of injury and trauma recovery, grief and loss, mental health, and personal growth and development.
Chloe Beevers Chloe has over 15 years experience as a creative strategist, collaboration broker, program producer and keynote presenter. As the founder of the consultancy firm Strategic Artistry, Chloe builds the capacity of governments, organisations, industries and communities to deliver creative outcomes.
Adam Monaghan Intermittent breaks from nursing to work in office jobs (not his thing) as well as dabbling in photography. Never quite believed in himself as photographer. Made redundant in 2013 and took another leap into video production. Taught himself to shoot, script, edit, produce and direct. Has grown the business into a six figure turnover enterprise in under three years.
DA Carter DA Carter is a musician & lyricist who’s toured globally on streets and stages from Berlin to Burning Man to the Sydney Theatre, National Young Writers, Subsonic, Regrowth, Crack Theatre & Fringe Festivals.
DA performs his heady mix of beatbox, spoken word & freestyle with a microphone & loop machines.
Performers (who will shift your mood with a 4 minute entertainment piece!)
Casio Gloria “The Kook, The Keys and the Curious. You decide who’s which.” From the grottos of Newcastle to the far reaches of the imagination, this eclectic/ electro performance-poetry explosion will have you sidestepping and your sides splitting. Launching the newest version of their bespoke music software MusicFox for Vivid Ideas Sydney 2016.
The Tinderbox Lullabies The Tinderbox Lullabies are Blue mountains singer /Song writer Nic Alexander, and Sydney soul poet Brent Clarke, also known as B.C. They perform a mongrel breed of roots music and rap delivery, creating the affectionate term on which they’ve grown from, ‘Gyp-Hop’.
Structured on acoustic guitar, sweeping vocal melodies and rhyming poetry, The Tinderbox Lullabies tell their stories through a truly honest dialogue using humour, hindsight, tongues in cheeks and big, dumb hearts on sleeves.
Spindles Spindles is a Sydney-living musician who spins songs about the two things she thinks are most important: love and revolution. Sometimes her feelings about these things become so strong that they demand physical space – for guitar strings to oscillate, vocal cords to vibrate, stereocilia to reverberate. Spindles has spent the summer adorning these spaces with sea glass and cicada shells and midnights and Blue, and you are invited in.
Ebb Tides A tiny town musical duo comprising the abilities of multi talented writer, director, choreographer Erin Brookhouse and childhood friend, poet and rap artist Brent Francis Clarke, also known by the stage name B.C.
Ebb-Tides take their name in reference of the river they both grew up by on the mid North Coast of N.S.W. before moving to Sydney and meeting again later as fans of each other’s work.
Beginning from beautiful melodies Erin would draw from the sounds and songs Brent was creating as B.C, a series of collaborations turned into a project that both agreed to continue, taking shape as the colourful duo. Two friends who truly love creating art together.
Get tickets now whilst you can to this Australian first!
The Theatre Lane (paste-up) Project
Continuing the Hunter’s leading, and most ambitious Public Art Program, Pride of Place is seeking to undertake a first in contemporary art. In collaboration with Street Art Walking (SAW), there will be a six month ‘paste-up’ project ran in Theatre Lane, Newcastle (Australia).
International, National, and local artists have submitted theatre poster inspired designs online via email and the works are hen pasted up by Project Manager, Simone Sheridan.
Want to be part?
Help us fill Theatre Lane with more (and more) posters!
Email your work to email@example.com OR contact us about delivering hand-made designs.
ENTRIES OPEN UNTIL APRIL 2012
“What are we looking for?
An original/humerous/ironic/streetart versions of the posters for plays and musicals (not movies)
E.g. cats, Oklahoma, les miserables, phantom of the opera, rent, wicked, grease, street car named desire, fame, lion king, death of a salesman, guys and dolls, mousetrap, Spiderman turn off the dark, Mary poppins, love never dies, Annie, an officer and a gentleman, Chicago Oliver, hello dolly, my fair lady, hairspray, evita, rocky horror picture show, fiddler on the roof, Jesus Christ superstar, 42nd street, we will rock you, miss Saigon, mamma mia, the sound of music……..
Or you could…
Imagine your idea is going to be made into a stage play/musical (no, not a movie) and this would be the poster promoting it!
Or any original interpretation of a theatre production poster (not a movie!).”
OVERVIEW: Paper artworks inspired by theatre posters with a focus on older styles to compliment the vinyl artwork on the Victoria Theatre. The posters are to be installed on both sides of the lane way, capturing the feel of a rich history of theatre that the area is famous for.
The following examples of theatre posters indicate the potential style and scope the project could have. The poster’s content can vary from black and white to full colour, a mix of text, images and an array of fonts. The sizes can vary from small handbill sizes, to large A1.